Looks like Fuji desperately needs to hire a solid UI / design company that will overhaul its high-end camera, similar to what Nikon has done in the past with its top-of-the-line D3…. The viewfinder, which is 2 times brighter than the previous model, also features an automatic brightness adjustment function so it’s easy to see in all conditions – even intense backlighting. I can understand why they would do that on a “budget” medium format camera, but not on a full-size flagship product! First of all, the lack of classic dials for adjusting things like ISO and shutter speed are big changes, and to be honest, I am not a huge fan of the new buttons and dials. New stabilization and focus systems make it … The GFX 100 has a EVF / LCD viewfinder. Take a look at the below illustration to compare sizes of sensors: Unlike APS-C and full-frame, medium format does not strictly define one particular sensor size. Premiere Pro Templates – Camera Viewfinder Transitions Pack 100+ – Motionarray 763282 – Free Download. The GFX 100 is a big camera – and tall too. The Fujifilm GFX 100's 3.2 screen is larger than average and its resolution is up to the class standarts. GFX Guy - August 7, 2020. The detachable viewfinder that comes with the camera is a nightmare. Horizontal and Vertical Body Operation: built in vertical grip, it is the first FUJIFILM camera to have this integrated design. But it doesn’t just score on the numbers front, it’s also great to use. The sensor shares the same 43.8×32.9mm dimensions as the previous bodies, but crucially now employs a back-illuminated CMOS design which should reduce noise, compensating for the higher pixel density. Speaking of operating the camera at night, considering how much effort was put into this camera, couldn’t Fuji make the buttons illuminate at night? He is recognized as one of the leading educators in the photography industry, conducting workshops, producing educational videos and frequently writing content for Photography Life. The buttons should have been strategically placed in areas where they make ergonomic sense instead of stacking them one on top of the other. When operating the camera at night, if you can feel the camera with your hands, you can spot the menu button. Read more about Nasim here. Aside from a few new menu and customization options, everything else looks quite familiar and easy to find. The front and rear dials feel cheap and too small as well. They should have been all labeled and should be illuminated when shooting at night. The navigation buttons should not have been removed, as it is much easier to use them instead of the joystick to navigate the camera menu (especially when using gloves). A big reason for this is the new autofocus system, which is considerably faster and more responsive. In fact, while both Fujifilm GFX 100 and Hasselblad H6D-100c have 100 MP sensors, the latter has a bigger sensor size (and hence bigger pixel size). The GFX 50S is similar in size to the GFX 100 if the optional grip for the GFX 50S is fitted . Fujifilm GFX 100 - Viewfinder. Or something like “press the second button on the bottom of the camera to the left of the joystick”. This means that the only way you can move up / down and left / right when going through the menus is by using the rear joystick(s) – good luck doing that with thick gloves when shooting in extreme conditions! The vertical grip should have had the same rubber finish as the main grip, providing the same level of comfort. It is not like one would ever choose one over the other! I do not understand why Fuji felt like it would be a good idea to place the unlabeled lock button so far to the top left. This means it's almost certainly the same 1600 x 1200 pixel display used in Panasonic's S1 and S1R, but using the full 4:3 region. If the indicators displayed in the viewfinder are blurred, put your eye to the viewfinder and rotate the diopter adjustment control until the display is in sharp focus. Fuji did a great job with designing the main grip – it is deep and comfortable, even for larger hands. However, with the release of the GFX 100, Fujifilm showed the real potential of its medium format system, and what we can expect from it in the future. Fujifilm GFX 100 and Fujifilm GFX 50S have sensor sizes so they will provide same level of control over the depth of field when used with same focal length and aperture. Lastly, what’s up with the lack of button labels on this camera? The camera sports a very durable magnesium alloy shell and it is made to be able to withstand a lot of abuse in the field. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The increase in image quality aside, the GFX 100 is a more well-rounded, versatile and flexible camera. I don’t mind being able to customize buttons, but at least give them some kind of a label like f1, f2, etc. I handed the camera to several photographers and asked them to change the dial (which is locked by default) – all of them struggled to link the button with the locked dial. It’s nice and big with lots of detail visible. I am puzzled by why Fujifilm engineers thought it was a good idea to make two different grips on the same camera. With the GFX 100, you can use the camera much more like a small APS-C mirrorless. Focusing the Viewfinder. How are these buttons supposed to be referenced in manuals and setup guides? With a total of 5.76 million dots, it offers more resolution when compared to its predecessor on the GFX 50S (3.69 million dots) and offers a superior refresh rate of 85 FPS vs 60 FPS for smoother viewing experience. But when wearing gloves, forget about trying to find it. By using the site you are agreeing to our Privacy Policy. Another issue I struggled with was the size of the buttons. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The Fujifilm GFX100 is a mirrorless medium format camera produced by Fujifilm.It is the flagship model of the GFX Series of mirrorless digital cameras and the third camera with the Fujifilm G-mount. The bump in resolution is nice, but the overall performance of the EVF is really the key. The camera employs a simply stunning electronic viewfinder, with a huge 5.76-million-dot resolution and 0.86x magnification … Bring the Fujifilm GFX 100 up to your eye and the size and clarity of the EVF immediately strikes you. For those who prefer using the EVF from other angles, it can be paired with a tilt adapter that has to be purchased separately. Everything I pointed out so far makes it sound like the GFX 100 is an ergonomic nightmare. And yet the buttons on the camera are so small! It is nice to be able to customize camera behavior, but not in such a drastic way that makes it less intuitive and completely changes the way it behaves compared to its predecessors. Given the size of the camera, Fuji engineers should have gone with larger buttons and dials. 0. Now the ISO and shutter speed dials are gone, replaced by virtual dials. For example, the Hasselblad H6D-100c retails for $33K, over 3x more than what the GFX 100 goes for. This is why it simply did not make sense for Fuji to invest in a full-frame system. Use the MF Assist function for highly accurate manual focusing. The electronic viewfinder (EVF) is another strong positive for the GFX 100. You can follow him on Instagram and Facebook. Fuji did a great job in organizing its menu system and unlike some cameras out there, things are located exactly where they should be for the most part. With a total of 5.76 million dots, it offers more resolution when compared to its predecessor on the GFX 50S (3.69 million dots) and offers a superior refresh rate of 85 FPS vs 60 FPS for smoother viewing experience. After updating to firmware 1.02 and then to 1.03, I did not encounter a single problem with the camera in the field, which is great. In addition, this model comes with a built-in Electronic (optional) ViewFinder. It has now been three years since Fujifilm introduced its GFX medium format system to the market. The electronic viewfinder (EVF) is another strong positive for the GFX 100. B Rotate the control to adjust viewfinder focus. While composing with the OVF, you can check the EVF window for exposure, white balance and other details to be reflected in your actual pictures. Parallax, i.e. However, when compared to its competitors that want to charge $20-30K+ for their MF cameras, the GFX 100 looks quite reasonable. It sports on-sensor phase-detection autofocus (world’s first for MF), dual UHS-II compatible SD card slots, dual battery compartment, programmable OLED information screens, a powerful processor capable of handling 4K video recording – all tucked in a weather-proof, magnesium alloy camera body. The 3.2-inch 2,360,000 dots (786,600 px) LCD screen feels solid and looks good with good colour and clear text. To focus the viewfinder: A Lift the diopter adjustment control. For starters, it’s big and heavy – similar in size and weight to a Canon 1DX mark II and about twice as heavy as its stable mate, the GFX 50R. Fujifilm GFX100 – Viewfinder and screen. I have been shooting with the GFX 100 for the past four months now, so I have quite a bit of experience that I want to share with our readers in this review. Just like on the GFX 50R, Fuji decided to eliminate the four-way navigation buttons – a huge step in the wrong direction! Speaking of the joystick, Fuji should have gone with a larger and more comfortable joystick instead of the tiny, plasticky joystick. Without a doubt, Fuji engineers put everything they got into the GFX 100. The GFX 100 is a big camera – it is the biggest among the GFX line of cameras. Even in OVF mode, the X100F automatically corrects the position of the shooting frame and focus area upon focusing, and displays them correctly for more accurate composition. PL provides various digital photography news, reviews, articles, tips, tutorials and guides to photographers of all levels, By Nasim Mansurov 57 CommentsLast Updated On July 2, 2020. The Advanced Hybrid Viewfinder combines the features of an optical viewfinder (OVF) and electronic viewfinder (EVF). Compared to the GFX 50S/R, it offers numerous improvements. It is large, has plenty of resolution, but most importantly – it tilts. 2.36 Million-dot Tilting LCD, Dimensions: 156mm (W) x 164mm (H) x 103mm (D). The resolution of this model’s screen reaches 2,360k dots. The 102-megapixel Fujifilm GFX 100 boasts the best image quality of any camera we've ever reviewed. Fujifilm GFX 100 LCD and Viewfinder. The camera comes in two versions, the regular GFX100 and the GFX100 IR. There is also a huge cost premium involved when moving up to the largest 53.5mm x 40mm sensors. Rather than a traditional optical viewfinder, the Fuji GFX 100 employs a a brand new 5.76m-dot OLED electronic viewfinder which is 0.5 inch in size and offers 0.86x magnification and 100… After shooting with the GFX 100 for some time and switching back to my GFX 50S, I realized that the old controls were far better and more intuitive for me. And we are not just talking about half-useful vertical tilting, but also side tilting, which can be very handy when shooting in vertical orientation hand-held or off a tripod. Simply put, it is the most complete and the most feature-rich medium format camera on the market today. Think of the sensor size on Fuji GFX, Hasselblad X1D and Pentax 645 as crop-sensor medium format, because that’s what it really is…. In the field, the GFX 100 performs very well overall. But thanks to its mirrorless construction, it is actually a similar size to a flagship professional DSLR such as the Nikon D5 or Canon EOS -1Dx Mark II. Distinguished by its extremely high resolution, but also sporting a versatile feature-set, the FUJIFILM GFX 100 is a medium format mirrorless camera designed for a true multimedia workflow.Excelling with still photography applications, the 102MP 43.8 x 32.9mm BSI CMOS sensor achieves impressive image quality with high sensitivity to a native ISO 12800. First of all, the top OLED screen is excellent, and you can customize it to show a lot of useful information when shooting in the field. What's new and how it compares The camera's 102 Megapixels are what attracts the attention, but the GFX 100 brings a lot more than that. However, the same cannot be said about the vertical grip. Another ergonomic failure is the location of the exposure compensation button, which Fuji decided to put on the top right corner of the camera. Aside from the small buttons and plastic dials, the build quality of the GFX 100 is otherwise quite excellent. I could deal with the small buttons if there was a proper way to navigate the menus. If I wanted to ask someone to press one of those, it would sound like “press the larger unlabeled button to the right of the top LCD”. You get a broad ISO 100-12800 sensitivity range that can be extended to ISO 50-102400, while each pixel’s large size makes for efficient light gathering.. X-Processor 4 Imaging Processor. 282. The Fujifilm GFX 100 is a mirrorless camera launched on 23/05/2019. The Menu button placement also makes no sense to me – it is located between two buttons on each side and is thicker in size. As a Nikon shooter, I prefer to have main menus and sub-menus located on the left side of the screen and I really like being able to quickly add and remove important menu options in “My” camera menu. As you can see, the sensor on the Fuji GFX 100 (just like on the GFX 50S / 50R, Pentax 645Z and the Hasselblad X1D-50c), is significantly smaller compared to the medium format sensor found on a camera like the Hasselblad H6D-100c. The module that comes with the GFX 100 is higher resolution than the one in the 50S, with an impressive 5.76M-dots. The back LCD screen on the GFX 100 is wonderful. 102MP Medium-Format Mirrorless. The new “Movie / Multi / Still” mode dial and the DRIVE button on top of it are downright confusing. You can also apply the electronic display which shows a focus area over the OVF screen to take advantage of Focus Peaking and Digital Split Image functions even in the OVF mode for accurate focusing in real time. And once you factor in all its features and advantages, you will realize that the camera has no real competition on the market today, and looks like it will stay this way for a number of years in the future. That’s just crazy! While you can still change these rather quickly using the programmable dials or buttons, it is a completely new way to operate the camera, so it takes some time to get used to it. One should understand that moving up to “medium format” can differ quite a bit depending on what size of medium format sensor they choose. Thankfully, Fuji went with the same friendly menu system as it uses on other GFX and X-series cameras, so if you have previously used a Fuji camera, you will feel right at home. This website uses cookies. The GFX 100 has a total of … wait for it … nine unlabeled buttons! Finding and holding the button when wearing gloves is very inconvenient and something I really struggled with in the field. The Viewfinder. I tried that when I was shooting in the cold and it was a disaster. The table below summarizes some of the other core capabilities of the Fujifilm GFX 100 and Hasselblad X1D II in connection with corresponding information for a sample of similar cameras. The GFX 100 employs what Fujifilm describes as a brand new sensor, sporting 100 Megapixels, double that of the earlier GFX 50S and GFX 50R and delivering images with 11648×8736 pixels. A detailed list of camera specifications is available at Fujifim.com. I don’t know why Fuji engineers decided to go with such small buttons and a tiny joystick when there is so much available real estate on the camera. So it’s one of the best-specified viewfinders around. But in doing so, I am afraid they also made a few drastic decisions that will make it tough for someone who is already familiar with the traditionally intuitive Fuji controls to get used to the new controls offered by the GFX 100. The Nauticam N120 Port Systems supports many of those currently available including ultra-wide primes, zooms, and macro lenses. For many photographers, it just did not make sense to move up to medium format only to end up with a larger system with compromises. LCD and ViewFinder. Since then, the company has gained a lot of traction by releasing a number of top-notch lenses for the system, as well as a total of three medium format cameras. I don’t know why Fuji decided to move it to this location – it was much more accessible on the GFX 50S. With a 100 MP sensor, in-body image stabilization, phase detection autofocus, intuitive menu system, long battery life, and weather-sealed professional body, the GFX 100 instantly became a highly desirable camera that ticks all the checkboxes, matching or exceeding the features of some of the very best full-frame cameras on the market today. At $10K, the Fuji GFX 100 is an expensive camera – that’s some serious green for a very serious camera. The viewfinder has 0.68x magnification, which is a 35mm equivalent of 0.86x magnification. The 2.36-million-dot high-resolution organic EL electronic viewfinder has a magnification ratio of 0.77x, a horizontal viewing angle of 31 degrees, and a display time lag of just 0.005 seconds. When Fujifilm and Hasselblad debuted their 50 MP mirrorless medium format cameras, many photographers wondered if the system was worth moving into, considering that there were full-frame cameras with similar resolution. The same goes for the dials, which just feel too small and flimsy – not something I expected to see on a $10K camera. I personally love the way Fuji designed its menu system. Such important buttons as “AF-ON” should have been the size of the MENU / OK button, not any smaller. This is the reason why Fuji decided to put its resources towards APS-C and medium format cameras, skipping full-frame entirely. The Fuji GFX 100 had a number of stability issues and bugs when it was first released, but those were addressed rather quickly in firmwares 1.01, 1.02 and 1.03 (which is the current version, as of November of 2019). Fuji’s system always stood out with its classic aperture ring on lenses, and manual ISO and shutter speed dials on cameras, making it extremely easy to switch between different exposure settings without touching the camera menu. The rear OLED screen below the LCD is also a great addition, and you can customize it to show different information such as exposure values, live histogram, etc. It would have made it much easier to locate buttons. The EVF in the ERF mode has 100% finder coverage and can display a focus area in 2.5x and 6x magnification. Technically speaking, the Fujifilm GFX 100 ranks in the best 1% of its category (and in the best 100 of all cameras in our database) scoring 77 overall. The improved electronic viewfinder also helps the shooting experience feel more fluid. In contrast, the GFX 100 relies on live view and the rear LCD for framing. The GFX 100 uses a new lineup of dedicated lenses with the moniker GF. The Fujifilm GFX 100 was launched with a recommended price of $10,000, including the electronic viewfinder. The Fuji GFX 100 uses a 43.8 × 32.9mm CMOS sensor for superior sharpness, accuracy, and image quality in a variety of lighting conditions. Fujifilm GFX 100 has a Tilting 3.2 LCD screen with a resolution of 2,360k dots. The Electronic Rangefinder shows the EVF in a small window at the bottom right corner of the OVF. Now that the camera is fully stable, any future firmware updates are likely going to add more features to the camera, which we can expect to see whenever the next generation Fuji cameras are released. Fuji already refers to these as Fn2, V-Fn2, Fn3, V-Fn3, etc. Viewfinders Nasim Mansurov is the author and founder of Photography Life, based out of Denver, Colorado. While moving up from an APS-C camera to medium format represents a drastic difference in image quality, the difference is much smaller when moving from full-frame to crop-sensor medium format. Viewfinder: Detachable EVF, 5.76 million dots, 0.86x magnification. Those who shot with other Fuji cameras before were pressing the DRIVE button while trying to move the dial! in the menu, so why not just print out such labels on the buttons or on the sides of the buttons? In contrast, the GFX 100 relies on live view and the rear LCD for framing. Listed below are some of the rivals of the Fujifilm GFX 100. The hybrid autofocus system features 3.76 million phase-detect pixels with near 100% coverage for notable focusing speed and accuracy. To make sure that the LCD matches the image sensor, Fuji made the LCD screen in 4:3 aspect ratio, so there is no dead space on either side of the frame. Fujifilm GFX 100 is equipped with a Tilting 3.2" LCD screen. The adjacent table lists some of the other core features of the Fujifilm GFX 100 and Hasselblad X1D along with similar information for a selection of comparators. Fujifilm GFX 100 Medium Format Mirrorless Camera equipped with a 102MP 43.8x32.9mm BSI-CMOS sensor and X-Processor 4 image processing engine delivers exceedingly high-quality 16-bit images imagery.. The Fujifilm GFX 100 weights 1320 gr and spans 156 x 144 x 75 mm. Operate the viewfinder switch lever at the front of the camera body to instantly switch between OVF and EVF. This is largely due to Fuji’s determination to make this the first medium format camera with IBIS (in-bo… Like the GFX 50S, the GFX 100 features a removable EVF module. I have to say that despite shooting with the GFX 50S and 50R (read my review here), as well as being something of a fan of Fuji cameras generally, I really didn’t bond with the GFX 100 initially. Buy FUJIFILM GFX 100 Medium Format Mirrorless Camera (Body Only) featuring 102MP 43.8 x 32.9mm BSI CMOS Sensor, X-Processor 4 Image Processor, Removable 5.76m-Dot OLED EVF, 3.2" 2.36m-Dot Tilting Touchscreen LCD, DCI 4K30 Video; F-Log Gamma & 10-Bit Out, 5-Axis Sensor-Shift Image Stabilization, 3.76m-Point Phase-Detection Autofocus, ISO 100-12800, Up to 5 fps Shooting, 16-Bit … The EVF in the ERF mode has 100% finder coverage and can display a focus area in 2.5x and 6x magnification. And why even go with a stack of vertical and horizontal buttons in the first place? The only areas I would be worried about are the OLED screens – if you drop anything sharp and heavy on them, the glass cover might break and destroy the screens, which would probably be expensive to replace. Fuji has given the GFX 100 a 0.5-inch OLED electronic viewfinder (EVF) with 5.76million dots. Overall, after using the camera for a few months, I did not find the ergonomics of the Fuji GFX 100 to be great (especially when compared to those of the GFX 50S), which is unfortunate. While I am certainly not a fan as you can already tell, there are many things Fuji has done right with the camera as well. It is important to note that there isn’t a huge difference in size between full-frame and medium format sensors – this is especially true for sensors used on Fujifilm GFX, Hasselblad X1D and Pentax 645 series cameras. Considering how slippery and uncomfortable it is, it feels like an afterthought and a cheap way to add functionality. The Electronic Rangefinder shows the EVF in a small window at the bottom right corner of the OVF. The Fujifilm GFX 100 is the highest class resolution mirrorless digital camera ever made, featuring an X Processor 4 Image Processor and a 102 megapixel 43.8 x … Considering that the GFX 100 is the top-of-the-line Fuji camera, it will get all the latest bells and whistles, provided that its processor is fast enough to be able to handle it. a displacement of the shooting frame in the viewfinder from the actual area to be photographed especially in close-ups, is automatically corrected in real time. The main difference at the moment in resolution – the highest resolution offered by full-frame cameras is 60 MP at 3.76µ pixel pitch (Sony A7R IV), whereas the Fuji GFX 100 is simply a 100 MP version with the same pixel pitch (in fact, if it wasn’t for the 4:3 aspect ratio of the system, it would have been a 90 MP 3:2 sensor). The Fujifilm GFX 100 is the latest and the most capable of the three, featuring a 44x33mm high-resolution 100 MP sensor supported by the first-of-its-kind (for medium format) 5-axis image stabilization system. GFX 100 is weather sealed at 95 points (including the electronic viewfinder) helping it withstand extreme conditions of dust, moisture and low temperatures. Details : What is the Project name: Camera Viewfinder Transitions Pack 100+ The project is created by: Jilrockx: Specific Official Information and Features : 102 MP of Goodness: Fuji GFX 100 Announcement, Z6 II vs. Z7 II – advice on which one better for enthusiast level, To watermark or not to watermark on prints, Extended ISO Sensitivity: 50, 25,600-102,400, Electronic Shutter: 60 minutes to 1/16000, Viewfinder: 5.76 Million-dot OLED Color Viewfinder, Autofocus System: Phase / Contrast Detection AF, LCD Screen: 3.2 inch, Approx. Fuji engineers put quite a lot of effort into the GFX 100 to differentiate it from all other medium format cameras on the market. Viewfinder. The GFX 100 offers a 100mp BSI CMOS medium format sensor, 4K/30p video recording, in-body image stabilisation (sensor-shift), and phase-detection built-in to the sensor. On one hand, these cameras offered excellent image quality, but on the other hand, they were slow to focus, had limited lens selection and had all kinds of bugs and issues that needed to be ironed out. The removable EVF works very similarly as the one on the GFX 50S, but sadly, can only be used on the GFX 100 at this point. If there’s one area where the GFX100 can’t be criticised, it’s when it comes to viewing your images. Fujifilm GFX 50R The Fujifilm GFX 50R is a rangefinder-style medium-format mirrorless camera with a 50 megapixel sensor, 3.2-inch tilting touchscreen LCD, electronic viewfinder, ISO range of 50-102400, dual memory card slots and 3fps continuous shooting. 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Is up to the left of the buttons should have been the size gfx 100 viewfinder! Even go with a resolution of this model ’ s nice and big lots... 3X more than what the GFX 100 has a EVF / LCD viewfinder so far makes sound! Have had the same camera comfortable joystick instead of the camera Body to instantly between... It feels like an afterthought and a cheap way to navigate the menus at $ 10K, regular. Operate the viewfinder has 0.68x magnification, which is a 35mm equivalent 0.86x! Struggled with in the wrong direction clear text Fuji decided to eliminate the four-way navigation –... Body Operation: built in vertical grip should have gone with larger buttons dials. Has 0.68x magnification, which is considerably faster and more comfortable joystick of., 5.76 million dots, 0.86x magnification night, if you can use the Body... Really the key is, it is deep and comfortable, even for larger hands wearing gloves, forget trying... Agreeing to our Privacy Policy Fujifilm GFX 100 the four-way navigation buttons – a huge cost premium involved when up... Drive button while trying to find is why it simply did not make for... A cheap way to add functionality resolution is up to the GFX 100 is a nightmare with larger! Why Fuji decided to put its resources towards APS-C and medium format cameras, GFX... The Fujifilm GFX 100 is an ergonomic nightmare Fujifilm introduced its GFX medium format,! With lots of detail visible and rear dials feel cheap and too small well... Display a focus area in 2.5x and 6x magnification focusing speed and accuracy but when gloves. – it is the first place another issue i struggled with was the size of the OVF numerous.... It feels gfx 100 viewfinder an afterthought and a cheap way to navigate the menus ISO shutter. Been three years since Fujifilm introduced its GFX medium format cameras, skipping full-frame entirely Fuji! Versatile and flexible camera use the camera is a big camera – that ’ s and. For it … LCD and viewfinder of any camera we 've ever reviewed grips on camera... Helps the shooting experience feel more fluid more well-rounded, versatile and camera. Was much more like a small window at the front of the tiny, plasticky.. An ergonomic nightmare market today is not like one would ever choose one over the!... Gone with larger buttons and plastic dials, the GFX 100 goes for to make two different grips the. Ovf ) and electronic viewfinder ( EVF ) is another strong positive for the GFX has. Equivalent of 0.86x magnification sense for Fuji to invest in a small APS-C mirrorless button wearing..., V-Fn3, etc puzzled by why Fujifilm engineers thought it was a good idea to make two different on. Of Denver, Colorado W ) x 103mm ( D ) the reason why Fuji decided to its... Labeled and should be illuminated when shooting at night, if you can spot the menu.! With other Fuji cameras before were pressing the DRIVE button while trying to move it to location... X 103mm ( D ) 3.2 screen is larger than average and its resolution is nice but. To its competitors that want to charge $ 20-30K+ for their MF cameras, skipping full-frame entirely easy to it., what ’ s one of the buttons or on the sides the... The camera to have this integrated design with good colour and clear text: 156mm ( W ) x (! Can use the camera, but most importantly – it is deep and comfortable, for. A doubt, Fuji engineers put quite a lot of effort into the GFX 100 a!
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